50年代-60年代初波兰电影学院派的经典作品之一，堪称与同时代意大利导演安东尼奥尼的《奇遇》相比，改编自Józef Hen在社会主义波兰时期被禁的小说。
In 1960 his second film NIKT NIE WOLA / NOBODY'S CALLING, based on a Jozef Hen novel that was never published in Poland, described the fate of Poles on the Eastern Front. Kutz used the film to explore new formal solutions, collaborating closely with cinematographer Jerzy Wojcik to reveal the psychological landscape of a pair of lovers who are strongly affected by wartime events. The camera recorded the couple's inner experiences, contrasting their muted intimacy against the surrounding scenery of a ruined town. The film did not win over critics at the time of its release. It was not until later that critics recognized Kutz's effort to experiment with aesthetics in a manner akin to that pursued by filmmakers of the new wave. NOBODY'S CALLING came to be compared with Michelangelo Antonioni's THE ADVENTURE, which was produced around the same time.
Four Indigenous siblings survived 40 days in Colombia's jungle after a plane crash. The film shows their story through footage, recreations, and animation, highlighting Indigenous-military cooperation and traditional knowledge.
In 1976 a group of people in the desert for a photo shoot stumble upon an abandoned town called Savage. But they are not alone. A family of masked psychopaths have claimed Savage as their own and are hell bent on living up to its name.
The film centers on Dawn (Cosgrove), who is desperate to get to France for a once-in-a-lifetime art opportunity. Thus, she talks her way onto a Bachelor-type dating show set in Paris — only to discover the show is actually set in Paris, Texas as part of a ratings stunt by the producers. Now in jeopardy of losing out on her dreams, Dawn must find a way to get kicked off the show...
