意图征服一切的霸天虎全员出击,塞伯坦即将陨落,B-127(迪伦·奥布莱恩 Dylan O'Brien 配音)临危受命前往地球。在1987年的加州,B-127不仅遭到特工伯恩斯(约翰·塞纳 John Cena 饰演)的追捕,更被闪电(大卫·索博洛夫 David Sobolov 配音)殴至重伤,语言模块和记忆模块严重受损。B-127变形为大众甲壳虫,被失去了父亲(蒂姆·马丁·格利森 Tim Martin Gleason 饰演)的查莉·沃森(海莉·斯坦菲尔德 Hailee Steinfeld 饰演)发现并开回家。查莉为B-127取名大黄蜂,双方成为亲密无间的好朋友。然而好景不长,反射弹(贾斯汀·塞洛克斯 Justin Theroux 配音)与粉碎(安吉拉·贝塞特 Angela Bassett 配音)追至地球,利用美国军方的卫星网络追踪到大黄蜂,并企图将霸天虎大部队召唤到这里。为了阻止反弹射和粉碎,大黄蜂和他的新朋友一起踏上了保卫这个蓝色星球的征途……
Successful architect Will Roberts organizes a grand surprise birthday party for his wife Mandy with their daughter Kelly and college days friend, only to be told afterward she wants a divorce to lead her own life. Soon each spouse commits to another lover.
哈里(阿诺•施瓦辛格 Arnold Schwarzenegger 饰)是美国FBI的高级特工,他正在奉命调查一起跨国核武器走私案件。出于安全考虑,哈里连结婚15年的妻子海伦(杰米•李•柯蒂斯 Jamie Lee Curtis 饰)都没有告诉他的真实身份。
海伦是一名普通白领,平凡的生活已令她心生厌倦。一次,汽车商西蒙假扮FBI特工,溜到海伦家谎称自己被人追杀。紧张刺激的经历很快令海伦着迷。
这一切都没有逃过真正的FBI特工哈里眼睛。哈里利用间谍侦查手段令到西蒙洋相百出,并化妆成法国人正欲调戏海伦时,被恐怖分子突然袭击,两人被挟持到一个热带小岛。哈里和海伦最终能否逃出生天,挫败恐怖分子阴谋?
警司昆廷(莫里斯•迪恩•温特Maurice Dean Wint 饰)、监狱专家兼传感器专家伦尼斯(维尼•罗宾逊 Wayne Robson 饰)、医生霍洛韦(尼基•瓜达尼 Nicky Guadagni 饰)、建筑师沃思(戴维•休利特 David Hewlett)、数学系的大学生利文(尼科勒•德搏尔 Nicole de Boer 饰)和身患孤独症的学者卡赞(安德鲁•米勒 Andrew Miller 饰),六个素不相识的人,一觉醒来后发现一同身处于由一个个形状相同的立方体组成的结构复杂的高度精密迷宫中!
他们唯一的出路只有逃离这座迷宫,然而,一个个立方体尽管外貌相同,然而里面的机关却各不一样,复杂异常。依靠利文数学知识的推理,他们终于以为发现迷宫的运行规律,凭此一次次解开各个机关,迷宫的边缘近在眼前。
当他们正欲合力逃出迷宫之际,意外发生了。
A nightclub singer loses her husband in an automobile accident, and soon afterward witnesses the murders of two narcotics agents, and suffers a nervous breakdown. The police come to believe that all three murders are related, as they had suspected her husband was involved in a heroin smuggling ring, and now they think she may have been involved in it - especially after they find a large stash of heroin hidden in her apartment.
十年前,人类为自己的愚蠢付出惨痛代价,凶险致命的猿流感病毒蔓延全球,世界毁灭殆尽。而在毗邻旧金山的原始丛林,凯撒(安迪·瑟金斯 Andy Serkis 饰)带领猩猩伙伴们建立起无忧无虑的王国,直到某一天,猩猩的家园的宁静再度被人类打破。在旧城苟延残喘的人类面临能源危机,他们试图利用森林腹地大坝的发电站提供能源。青年科学家马尔科姆(杰森·克拉科 Jason Clarke 饰)试图说服聚集地负责人德里弗斯(加里·奥德曼 Gary Oldman 饰),希望通过和平手段取得猩猩部落的信任和同意。然而凯撒的好盟友科巴(托比·凯贝尔 Toby Kebbell 饰)却无法摒除对人类的憎恨,他尝试着挑战者凯撒的权威。
人类和猩猩,双方小心翼翼试探,而战争在所难免……
A Venetian musician at La Fenice theatre is affected by an incurable disease. By chance he meets his ex-wife who is now living with another man. She finally realizes that she is still in love with him.One of the most romantic films ever made and that still bears the pass of time despite some camera cliches of the 70's. Venice at its best is the setting for a poignant story of lovers parting for ever in a day's time. Sensitive and powerfully emotional, but never corny, with Musante and Bolkan as passional as you may wish lovers can be. A wonderful soundtrack and a beautiful cinematography help to make this film be a delight thirty-two years after it was made. Not to be missed.
At the time of the Polish social regime, a security officer is promoted to work at a prison yard. Introducing concurrently with the narrator; he speaks of himself, his thoughts, his point of view. He tells that he is not afraid of bandits or gangs; on the contrary he gets a kick out armed conflicts. To get a start in his new duty, he shops for a watchdog; and he buys an untrained attack dog as his companion. Then he speaks of the adjudications that the death sentence for fugitives is lacking influence. From his point of view, the judicatory tribunal must execute the fugitives in public. In the morning the next day he wears his uniform and start working with pride.
Whilst he is on his duty, a very harmonic music score begins to be played on the piano. The watchman spectates the peaceful life on the street. At that time we catch on that socialism is not a governmental regime; yet it's an uneducated behavior.
As a final scene the watchman witnesses of a cadet school's pupils being taught of the democracy. He leaves us with a confused smile.
A soft and likable thesis from the Polish director Kieslowski. You can find this short documentary as a special feature in his DVD of A Short Film About Killing. It could help you to compass his film language.
A suicidal alcoholic’s last day teems with images of anxiety and Kafkaesque paranoia. Adapted from Marek Hlasko’s novel ‘The First Step in the Clouds’, Has’ feature debut is cinematic delirium tremens, as young man Kuba Kowalski escapes his cramped flat to wander from bar to bar, unable to escape the trap of isolation. The metaphorical noose tightens as Kuba, nearly saved by the love of a good woman, dives deeper into hallucinatory intoxication.