从看到艾丽莎(乔伊·劳伦·亚当斯 Joey Lauren Adams 饰)的第一眼起,霍登(本·阿弗莱克 Ben Affleck 饰)就知道自己在劫难逃,可接下来的消息对霍登来说无疑是一记噩耗,漂亮开朗的艾丽莎居然是一个完完全全的女同性恋者。得知了死党的遭遇,班克(杰森·李 Jason Lee 饰)为此十分打抱不平,他告诉霍登他的恋情并没有走入绝望的境地,并且表示愿意在此方面助他一臂之力。
随着时间的流逝,艾丽莎和霍登之间产生了真挚的感情,一段良缘眼看着就要结成,这时的班克才发现自己内心中充斥着的竟然全是负面的感情,他并不希望霍登能够得到艾丽莎的垂怜,而他和霍登之间的友谊也开始出现了裂痕。
Sir Robert Chiltern is a successful Government minister, well-off and with a loving wife. All this is threatened when Mrs Cheveley appears in London with damning evidence of a past misdeed. Sir Robert turns for help to his friend Lord Goring, an apparently idle philanderer and the despair of his father. Goring knows the lady of old, and, for him, takes the whole thing pretty seriously.
故事发生在20世纪的30年代,雷(西恩·潘 Sean Penn 饰)是当时红极一时的爵士乐传奇人物。由于早年生活困顿,成名后雷养成了挥金如土的恶习,压抑许久的他放纵自己迷失在由金钱和美女组成的奢侈世界里。
一位名叫海蒂(萨曼莎·莫顿 Samantha Morton 饰)的普通洗衣女工深深的爱上了雷,愿意为雷付出一切,而雷亦对单纯的海蒂抱有好感。可是,此时的雷并不想过早的走入安定的家庭生活,更何况,雷可是一位艺术家啊,对于艺术家来说,婚姻难道不正是灵感的坟墓吗?就这样,雷和海蒂渐行渐远。之后,雷娶了性感妖娆的作家布兰奇(乌玛·瑟曼 Uma Thurman 饰),却发现布兰奇是比自己还要放浪形骸的“交际花”。直到此时,雷才想起了海蒂的好,可是雷没有把握,这个单纯可爱的女孩如今还会一如既往的包容他,接纳他吗?
Marley Morrison’s knockout debut feature is a sharply observed coming-of-age story that will make you wince and laugh in painful recognition of universal truths. 17-year-old AJ (Nell Barlow) is not one of life’s shiny, happy people. A family holiday at a caravan park in Dorset is her idea of hell. A moody misfit, she dresses for concealment and lets everyone know that she would rather be anywhere else. Then she spies flirty, free-spirited lifeguard Isla (Ella-Rae Smith) who might just be the girl of her dreams. Can AJ dare to take a first step on the road to happiness?
十七世纪的路易十四时代,在肮脏混乱小镇上的少女玛奇丝(苏菲•玛索 Sophie Marceau 饰)以一曲美丽的舞蹈打动了来此演出的莫里哀剧团,玛奇丝跟着剧团来到了巴黎,开始做起了绝世名伶的美梦。然而演员路并不像她想象的顺利,她大多时候只能出演木讷愚蠢的哑人,并且要靠出卖身体的代价来换取演出的机会。诗人拉辛(兰伯特•威尔逊 Lambert Wilson 饰)与宫廷贵族在看戏时看中了玛奇丝,她因此获得了去为路易十四国王表演的机会。并由此与拉辛相识,两人逐渐产生了感情。玛奇丝开始在剧团和拉辛之间徘徊不断,最终决定出演了拉辛的悲剧,并且大获成功,也获得了国王的青睐。而再次演出时她却抱病昏倒,代替她演出的侍女不但打破了她与拉辛之间关于剧目角色的约定,更让她怀疑自己的价值……
Far’Hook is a 20-year-old rapper. Following a violent dispute with a rival, he’s forced to leave Paris for a while. His producer, Bilal, suggests that Far’Hook acts as driver for Bilal’s father, Serge, on a tour of French ports, following in the footsteps of the classic painter Joseph Vernet.
Despite the age gap and culture clash, an unlikely friendship forms between this talented rapper and a bricklayer from the north of France during a road trip that concludes in Marseille for a final concert, one of reconciliation.